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Mozart's Women: His Family, His Friends, His Music, by Jane Glover
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From Publishers Weekly
Despite this book's title, Mozart was no ladies' man. The loves in his life add up to his mother, Maria Anna; his talented sister, Nannerl; a cousin known as "the Bäsle"; the four Weber sisters, all singers, and one of them, Constanze, his wife; and, naturally, the women in his operas and the divas who sang the roles (these included the Webers). In this latest of many Mozart biographies, Glover, a leading conductor of 18th-century music, views Mozart's life through the women who surrounded him, though no biographer could avoid Mozart's micromanaging father, Leopold. Mozart's first crush may have been on his cousin, and the second was certainly on Aloysia Weber, who firmly rejected him (and later regretted it). But Mozart's marriage to Aloysia's younger sister seems to have been entirely happy. The book's best and most original part of this work offers a close analysis of the operas, especially of the female roles and the women who inspired them; the discussion of Così fan tutte is especially good. Though Glover is not an inspiring writer, the analyses of operas will interest some people, and the work will find an audience among loyalists. Photos. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From The New Yorker
Glover, a respected British conductor, views Mozart through the women in his life: his mother; his sister and sometime duet partner, Nannerl; his wife, Constanze Weber; and the female singers for whom he wrote roles that are "some of the most vividly drawn and brilliantly understood women on the operatic stage." Mozart seems to have had more in common with the happily domestic Figaro than with the brilliant seducer Don Giovanni, and knew how to appreciate a talented, vivacious, and resourceful woman, as Glover illustrates with many touching excerpts from his correspondence. However, after Mozart's death, in 1791, her book begins to drag as she follows the lives of his survivors; Constanze remarried, completing her second husband's biography of her first, and lived until 1842. The book's title notwithstanding, much of the first half is dominated by Leopold Mozart, Wolfgang's authoritarian and manipulative father, who emerges as probably the most significant person in Mozart's life. Copyright © 2006 The New Yorker
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Product details
Hardcover 416 pages
Publisher: Harper; 1st edition (January 3, 2006)
Language: English
ISBN-10: 9780060563509
ISBN-13: 978-0060563509
ASIN: 0060563508
Product Dimensions:
6 x 1.3 x 9 inches
Shipping Weight: 1.6 pounds
Average Customer Review:
4.7 out of 5 stars
43 customer reviews
Amazon Best Sellers Rank:
#1,105,544 in Books (See Top 100 in Books)
This was one of the most insightful and beautifully written volumes I have ever read on Mozart. Perhaps this could only have been accomplished by someone with Jane Glover's (C.B.E.) musical credentials.Through her obvious passion she communicates the passion of Mozart for his art. Through reflection of his music she brings to light the very human side of the man and those that surrounded him.[Although certainly not required to enjoy the reading, I found that tracking down a few of Mozart's lesser known pieces ( a surprising number of them are available on Youtube) and listening to those added quite a lot to my enjoyment/understanding.]
The fine Mozart conductor, Jane Glover - see, in particular, her recordings of the Symphonies with the London Mozart Players, Mozart: Symphonies 31, 34, 35, 36, 38, & 39 - has produced a miraculous book worthy of its title. Few books on Mozart display an easier way moving between the composer's works, his family and friends, and the milieu they live in. And no modern work speaks with greater assurance of the major role women play in Mozart's world, a world of joyous often headlong Olympian music-making brought down to Earth by ever pressing daily needs of family, a world too frequently beset with human tragedy.Glover makes clear from the start she works from a special and intimate window on the life of this most gifted of musical prodigies, and spells out this unique perspective, "The women who had been closest to Mozart...inspired, fascinated, supported, amused, aroused, and sometimes hurt (him) throughout his life...the creator of some of the most vividly drawn and brilliantly understood women on the operatic stage, his entire rich female acquaintance bears close examination."The lives of Mozart's sister and wife and mother rightfully receive the closest attention - within this context the demanding and elusive character of Mozart's father Leopold is given further depth and finish from previous efforts attempting to depict his full, complex character. Most striking is the author's gift at setting out the various inner workings and dynamics of family situations as they emerge in the narrative of the composer's life. This, coupled with her command of the biographical material sets her work apart from and superior to any other recent Mozart biography in bringing a fresh sensibility to a much trod subject - this book gives us a better, more well rounded sense for the composer as husband, father, brother, son.But Glover does not limit her book to what might sarcastically be labeled mere domestic duties - she writes cogently about Mozart's music, and often in close and wise detail gained from years of performance. Glover gives special attention to the roles of the opera, details the various players and how Mozart adopts and adapts with great ingenuity for each in devising his music as would a fine tailor. "Mozart already knew the raw, erotic energy of the 'fiery' Luigi Bassi, who had played the Count (in Figaro), and he drew heavily on it for his Don Giovanni...when Bassi asked Mozart for a chance to show off his ability to spin a lyrical line Mozart wrote him the sublime serenade, 'Deh, vieni, alla finistra'.More than any other book we receive a balanced and appreciative understanding of the much maligned Constanze, and Glover gives a lucid reading, notable for its complete disdain for melodrama, of the difficulties the young widow faced. (Constanze lost two brothers and a father while not yet eighteen, and was only twenty-nine when her husband died, and she was left seeming destitute, a widow with a seven year old boy and a four month old baby.) We feel first hand the heartbreak of Nannerl, trapped in the wilderness of her marriage reading letters about her brother's marvelous successes in Vienna. "So Nannerl, who had been denied the opportunity to develop a musical career of her own, and watched longingly as her brother had swept along his brilliant path, now had to suffer the pain of knowing that her own protege (the young singer Gretl Marchand) was leading the lifestyle that should and so easily could have been hers. Even her own child, like her talent, had effectively been taken from her. If Nannerl became withdrawn and embittered in St. Gilgen, it is not altogether surprising. By whatever combination of circumstances, and for whatever reasons, her own will had been completely suppressed."This is one of the GREAT Mozart books - and I don't hesitate to recommend it to anyone interested in better understanding this most remarkable genius through the intimacy of the women he loved and who lived with him through his trials and tribulations. The issue of Glover's wonderful book at a bargain price in paperback now makes it available to everyone.
This book not only follows the life of Mozart's wife, sister, and close female friends, but also provides excellent contextual background on the role of women in 18th century Austria.
I've heard Jane Glover conduct and her writing of the same high quality as her conducting. Both are very impressive. It is also a fun read. I feel like I know these people from her great characterizations.
Dame Jane Glover has heard many bravos in her lifetime as aconductor and a musician. As a lover of Mozart(and anyone who doesn't love his music can't love life!) thisreviewer gives her high marks for this outstanding biography. Mozart was mischevious; enjoyed vulgarity in his letters andlanguage but was a good, faithful husband; loving father andarguably the greatest genius in the history of music. Who were Mozart's women?a. His mother Maria Anna whom young Wolfgang loved. Shetraveled with him on his musical tours.b. His musical sister Nannerl with whom he was billed as a childprodigy. Their relationship was loving and complex. As theygrew older Nannerl had to stay home in Salzburg while Wolfgangtraveled to the great courts of Europe. They did not correspondfrom 1783 to 1791 (the year of the 35 year old Mozart's death).c. The four Weber sisters of Mannheim. Mozart married Constanze the middle sister. They had a good marriage and two of their children Carl and Wolfgang lived to adulthood. Constanze saw tomany of Mozart's works being published and contributed biographical information to early chroniclers of the genius.She married a Danish diplomat and lived a long life but neverforgot Wolfgang's love for her.d. The many female opera singers whose careers were guided byMozart's genius. Glover dissects the major operas of Mozart. He loved women andhis operatic writing for them and insight into the feminine soulis the most profound in the history of opera. Mozart's women is beautifully illustrated; elegantly writtenand leaves warm memories of this force of nature called Mozart. If you read one book this year about music make it this one.The strongest figure in his life was his father Leopold.
I raved about this book to everyone in my book club and beyond. The author is very knowledgeable about Mozart and I found his life to be engrossing. Don't be turned off by the term, "Mozart's women." They are not affairs, they are his mother, his sister, his wife, and her mother.
Nice read
For my own knowledege!
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